Give a listen to a new setting of the Agnus Dei I composed today:
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Jesus, Lamb of God,
You take away
The sins of the world.
Jesus, Lamb of God,
You take away
The sins of the world.
Have mercy on us.
Have mercy on us.
Grant us your peace.
Grant us your peace.
Amen.
The bands I work with probably get tired of hearing me say it – but I’m not sure it can be said enough: “Less is more.” Having the musicians/singers be picky about when they play/sing does a lot for the dynamics of a song. But it also does something on a spiritual level. It allows other members’ gifts to shine through. It allows everyone the opportunity to practice the “prefer others more than yourself” attitude (an essential attitude for any collection of worshipers).
If you’re a worship pastor that leads a band and you let your musicians play 100% all the time, you’re dropping the ball (you know I like to shoot straight). I mentioned that when I visit churches I often look for a laptop on stage. But one of the first things I look for is who is not playing. The difference between an amateur musician and a professional is knowing when not to play. It’s the whole “less is more” thing that I always preach.
Maybe this is something that your church band struggles with. Maybe you have a pianist that used to be “the band” and is used to playing the full 100% of the music. Now that a guitar, bass and drums are added in, she doesn’t know that her role must decrease and she must adjust the amount of action or busyness that she plays with in order to allow the other instruments to equal to 100%. This is what I call the 100% rule. You only have 100% to divide up – any one player can’t play like the 100% is up to him/her.
Let’s get practical: Often to make a point, I will go to the extreme. I used to do this with my camera operators and video directors all the time. When working with church bands, I will often ask players to “sit out” or restrain from playing for a LONG period of time – in order to get the point across.
RT @edstetzer: Best moment today: my Proverbs 31 wife sent me a Song of Solomon text-- but accidentally sent it to an new acquaintance. - posted on 02/07/2012
I just got some FREE music from Sandra McCracken on @noisetrade. Download it here: http://t.co/kmnR3LTT - posted on 02/06/2012
Yeah that sounds like awkwardness abounds. Paying a key leader/pastor and not the rest of the band is different. And I don’t see anything wrong with wanting to strictly use volunteers in the band. But the church has a responsibility to equip and utilize all the talents it’s been given. So even if a musician isn’t up to the level where they can hang with the band, they should be finding them a place leading kids, youth, prison outreach, etc. or equipping them with training if their heart is in the right place.
What do you think about churches that insist on not paying their musicians irrespective of talent, time, etc. and will only take the best musicians who will play for free? Is the church, in that case, denying some of the “gifts that they’ve been given?”
And for context, the particular church and the particular situation to which I am referring has a volunteer policy that’s focused on an “unfettered” worshiper. And by that they mean they want people whose motivations to play on Sunday morning aren’t going to be about money.
But some of the musicians are hurt by that because 1) they spend as much as time and have as much talent as the lead worship leader, and he gets paid 2) They actually REALLY need the money most of the time, and 3) Motivation being questioned is offensive.
I think that is a great definition of a hymn. The def. I use is: “A hymn is a sacred poem addressed to God, intended to be sung.” Yours expands on that idea and fills it out. Mine is easy to memorize!
This is my favorite definition of a hymn. I think its clear to what we, in a solely traditional worship context, consider a hymn.
“A Christian Hymn is a lyric poem, reverently and devotionally conceived, which is designed to be sung and which expresses the worshipper’s attitude toward God or God’s purposes in human life. It should be simple and metrical in form, genuinely emotional, poetic and literary in style, spiritual in quality, and in its ideas so direct and so immediately apparent as to unify a congregation while singing it.”
[...] This is part 6 of a series of reflections about the journey of starting a church and leaving established, organizational, denominational religion. It’s a lot like unplugging from the matrix. (Part 1, Part 2, Part 3, Part 4, Part 5) [...]