But what is the point of doing this? Why is it important to do this action in the context of a worship service? Does it carry any more significance than the high-five that they do at the conclusion of Little League and football games?

Passing the peace of Christ is actually an ancient component of Christian worship and liturgy. Our modern day version of peace passing is descended from an earlier act of worship known as “the kiss of peace.” 1 Peter 5:14 says, “Greet one another with a kiss of love. Peace to all of you who are in Christ.” Through his letters Paul repeatedly reminds the churches to greet one another with “a holy kiss” (Romans 16:16, 1 Corinthians 16:20, 2 Corinthians 13:12, 1 Thessalonians 5:26). It was the custom in the ancient western Mediterranean for men to greet one another with a kiss on the cheek.

Passing the peace is a tradition rooted in Scripture that embodies our identity as peacemakers. Jesus said, “Blessed are the peacemakers, for they will be called children of God” (Matthew 5:9). The practice of verbally and physically sharing Christ’s peace trains ours hearts, hands, and tongues in the ways of peace. It is also a comforting reminder of the greeting Jesus himself used with his disciples, “Peace be with you” (Luke 24:36).

Similarly, when we regularly pass the peace we practice God’s call to maintain the bond of peace (Ephesians 4:3). Grudges and bitterness should fall away when we greet one another in the reality of the peace Jesus brings to us. By regularly performing this gesture our hearts and minds can become shaped in the form of peace.

Finally, when we shake a hand and say, “Peace,” we are actually imparting Christ’s peace to one another. It is as if Jesus himself is physically embracing and speaking to you and through you. Just as the bread and wine are transformed into something more than physical nourishment, our gestures and words are transformed into something more. “Peace” becomes more than a word shared between two parishioners. The words of peace spoken become the words of Christ delivered to us in the human flesh.

I opened the first class by writing “WORSHIP” on the board and inviting everyone to say what comes to mind when they hear the word. Here was the result of that discussion:

It was great dialogue and you can see some of the direction it went. I took several diversions into instructing on ideas raised (such as the fourfold model and liturgical space). I might try to record next weeks class and post it as a podcast for anyone interested.

First, breathing reminds us that the Holy Spirit enables everything we do, especially our worship. Genesis 1:2 tells us that in the beginning when God created heaven and earth there was a divine wind sweeping over the waters. The Holy Spirit was the divine breath that activated the words that spoke everything into being. The most ancient recorded liturgies of the church describe how the priest would breathe on the baptismal waters in blessing, recalling the Holy Spirit’s presence at creation. Just as God breathed life into Adam and Eve, the Holy Spirit breathes life into the words and actions of our confession and thanksgiving to God.

Second, every living, breathing thing was created for the purpose of praising God. Psalm 150:6 says, “Let everything that breathes praise God.” Every day we wake up because God graciously gives us the breath for another spin around the earth. Every breath, therefore, is an opportunity to return praise and adoration to God for who he is and what he has done. No one flawlessly seizes every available breath to praise God, and some people ignore God their whole life. But we have confidence that every breathing thing will acknowledge Jesus (Philippians 2:10-11).

Third, as believers we offer our bodies as living sacrifices to God. Romans 12:1 says, “I appeal to you therefore, brothers and sisters, by the mercies of God, to present your bodies as a living sacrifice, holy and acceptable to God, which is your spiritual worship.” The idea of a “living sacrifice” is an oxymoron. Something that is sacrificed is killed. In God’s original design for worship, death was synonymous with sacrifice. Something always died in a sacrifice. The paradox of a “living sacrifice” is created through the reality that in Jesus we are new creatures. Death has been defeated in Jesus, and now our worship is a living sacrifice of praise. In other words, the breath isn’t taken out of our worship. Our worship is left alive, to breathe.

This one may be easier:

Both of these images show Jesus (center), Mary the mother of Jesus (left), and John the Baptizer (right).

Orthodox churches have an iconostasis: a wall of icons and religious paintings that links together the nave from the sanctuary in a church. The door (called the Beautiful Gates) that the priest uses to move between the sanctuary and the nave is flanked by icons.

The bottom tier of icons is called the Sovereign. On the right side of the Beautiful Gates is an icon of Christ (often called Pantocrator –which means Almighty, Omnipotent, Lord of the Hosts). This image of Jesus symbolizes his Second Coming. On the left side is an icon of Mary the mother of Jesus, symbolizing Christ’s incarnation and entrance into this world. There is a theology behind these images. One side is Christ’s first incarnation, the other side is Christ’s second coming. All movement that takes place in the sanctuary during worship happens between Christ’s first and second coming.

John the Baptizer and Mary the mother of Jesus take their places beside Jesus as the primary examples of proclaiming and bearing the presence of Christ in the world. How do John and Mary strengthen our faith? One said, “I am not worthy to untie his sandals.” The other said, “I am the servant of the Lord, use me.” They model for us humility and service to the Messiah.

Advent is the season when we reflect on living between the first incarnation of Christ and his second coming. We remember his first coming into the world as a baby. And as we prepare for the coming of the infant Jesus, we are actually preparing for his second coming as the Ruler for all eternity.

from TheWorkofthePeople.com

It is a question that churches usually ask when they are starting a new style of service with the intent of reaching out to a younger demographic. They realize that having a new service with poorly executed music might have the opposite effect. There might be a few instrumentalists or vocalists willing to form a band, but rarely are there enough volunteers to fill out a full band (especially in smaller churches). Something is usually missing: maybe a keyboardist, electric guitarist, or drummer. Someone will usually suggest that the musical vitality of the service is worth investing in. On the flip side, mega-churches routinely hire out full ensembles of studio musicians to make sure the musical quality of their services lives up to the hype.

I’ll share a couple of stories from personal experience:

• A church had music in worship led by a pianist who was employed by the church part-time. A person joined the church and volunteered his keyboarding skills for the service. After a couple of months of both the staff pianist and volunteer keyboardist leading music together, the volunteer keyboardist approached the church leadership about being compensated for his part in worship. The keyboardist felt that it was unfair for two people to be serving in the same capacity but only one be compensated. The church leadership disagreed. The keyboardist became angry and moved on. Awkwardness abounded.
• Another church had three Sunday morning worship services. The first service was accompanied by a small volunteer orchestral ensemble and two part-time employees, a pianist and an organist. The second and third services were led by a band entirely made up of volunteer musicians. One of the volunteer musicians happened to play in all three Sunday morning services. It became evident to the church leadership that perhaps it was unfair that the organist and pianist were being compensated (for a rehearsal and one service), while the volunteer was not being compensated (for two rehearsals and three services). The church leadership decided that having some church musicians compensated and others not was unfair. The pianist and organist stopped being compensated for their musical contributions, but remained active as volunteer musicians.

David: what if they recommend songs that are nearly impossible to do? Just too old & too irrelevant?
Me: you’re joking right? If it’s old it’s not irrelevant. Try reading the psalms to start. If music is difficult, try practicing.
David: i was referring to a song like “in my heart there rings a melody” something that wouldn’t connect with the majority.
Me: that’s a cool song. It sounds like a challenge to make it cool to me. I’m gonna work on a recording to prove ya wrong…

And that led me to this little rough draft…

In My Heart There Rings a Melody

Don’t be fooled kids – hymns can be cool. If they’re not cool, it says less about the hymn and more about your creativity.

1. How do we remain humble in up front ministry?

2. How do you deal with conflict in your band?

3. What role does serving play in worship ministry?

4. How do you choose people to serve in your worship ministry?

5. How do you prepare and/or select songs for a worship set?

6. How can a worship leader help the band succeed? (From Band’s Perspective)

7. What does a great worship/band leader look like? (From Band’s Perspective)

One of the things I like to do is respond to questions about worship or liturgy. I don’t claim to know everything, but I can share my two cents. During a recent conversation this question came up: what do we call the songs we sing in our services? Are they hymns, or songs, or choruses, or what?

It’s a tricky question. If you want to get technical, there are dozens of categories within the broader sacred music genre. There are chorales, gospel hymns, scripture songs, contemporary worship songs, spirituals, and doxologies, just to name a few. Even our own Evangelical Lutheran Worship (ELW) hymnal can be perplexing. Pages 92-93 in ELW map out the pattern for worship in our context, but say that a “Gathering Song” can be either a “Hymn” or a “Psalm.” The ELW pattern also calls music during communion a “Communion Song” and music during the sending a “Sending Song.” However, the section of the hymnal that contains the music is titled “Hymns” (beginning at #239). And to add to the confusion, the “Hymns” section in ELW contains several songs that are staples in many contemporary worship services (like #857 “Lord, I Lift Your Name on High” and #821 “Shout to the Lord”)!?!

Maybe the best solution is to take it back to basics and what the Bible says about music in worship. We know in two separate occasions the Apostle Paul mentions songs in his letters. In Ephesians 5:18-20 and in Colossians 3:16 Paul says that we are to sing “psalms, hymns, and spiritual songs.” So we know for sure that there were at least three categories of songs that the earliest Christians used in their communal worship. Psalms are biblical songs from the Old Testament book by the same name, but likely included other songs (like the Song of Moses in Exodus 15 and Hannah’s prayer in 1 Samuel 2). Hymns are songs addressed to God and to Jesus as the Son of God. Possible examples of the first hymns of the Christian era are included in the New Testament (like Philippians 2:6-11 and Mary’s song in Luke 1:46-55). Spiritual Songs were most likely short, extemporaneous songs that arose within individual Christian communities. These songs were probably songs of testimony, fellowship, witness, and were very reflective of the community from which they came. The songs are called “Spiritual” because of the inspiration of the Holy Spirit.

One thing is certain – God’s people are encouraged in Scripture to sing a variety of songs in worship. No matter what we call them, the church has been given the gift of music for the purposes of singing God’s praises.

Got a question? Leave me a comment…

What if church is the place we go precisely to escape worship music, instead singing songs that invite us to turn our backs on some ultimate solution and affirm the life we find ourselves in? A place where the art encourages us to find meaning, beauty and goodness in our world rather than in something beyond it?