Is it a feeling? Is it an attitude? Is it a thought? Does it bring joy? Does it feel mysterious? Does it make your fingertips tingle?
Which part of Sunday worship is most meaningful to you?
Is it the songs and hymns we sing together with one voice? Is it the water that cleanses us and renews us as new creatures in Christ? Is it the reading of God’s story and the proclamation of the good news in Jesus? Is it the common meal we share in broken bread and poured wine? Is it the blessing and sending that propels us to be God’s people for the good of the world? Where do you experience God the most in worship?
The important thing is not how you experience God in worship – but that you experience God in worship. If you come to church week after week and never experience the person of God, never enter the fellowship of the Trinity, you’ve missed the point and we as a church have failed in our task.
Also valuable to remember is that how you experience God is not the same as how other people experience God in worship. God creates us as individuals and wires each of us in unique ways. Just because one person experiences God in a different way than us does not make it better or worse than the way we experience God. What becomes crucial is how we act and respond to those who draw near to God using “worship languages” that are different than our own. The words of Philippians 2:3-4 should guide the hearts of everyone in our assembly on Sunday: “In humility consider others better than yourselves. Each of you should look not only to your own interests, but also to the interests of others.” We worship God as one body, in the unity of the Holy Spirit.
Worship is designed to create space for the Holy Spirit to move and show up in fresh and unexpected ways. Worship is not a one way conversation. We are not the only ones speaking during worship. Worship is space for the Spirit to provoke, whisper, and prod us into Christ-likeness. The work of our worship is to be attentive in both heart and mind and then follow in obedience.
An impromptu jam in the toy room at the Faulkner casa.
Deacon on vocals, Daddy on ukelele.
Deacon decided to start making up songs. I recorded a few of them on my iPhone.
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I’ve been asked this question before: “Should a church that wants to do music in a pop/rock style pay for musicians to come in and play?”
It is a question that churches usually ask when they are starting a new style of service with the intent of reaching out to a younger demographic. They realize that having a new service with poorly executed music might have the opposite effect. There might be a few instrumentalists or vocalists willing to form a band, but rarely are there enough volunteers to fill out a full band (especially in smaller churches). Something is usually missing: maybe a keyboardist, electric guitarist, or drummer. Someone will usually suggest that the musical vitality of the service is worth investing in. On the flip side, mega-churches routinely hire out full ensembles of studio musicians to make sure the musical quality of their services lives up to the hype.
I’ll share a couple of stories from personal experience:
A church had music in worship led by a pianist who was employed by the church part-time. A person joined the church and volunteered his keyboarding skills for the service. After a couple of months of both the staff pianist and volunteer keyboardist leading music together, the volunteer keyboardist approached the church leadership about being compensated for his part in worship. The keyboardist felt that it was unfair for two people to be serving in the same capacity but only one be compensated. The church leadership disagreed. The keyboardist became angry and moved on. Awkwardness abounded.
Another church had three Sunday morning worship services. The first service was accompanied by a small volunteer orchestral ensemble and two part-time employees, a pianist and an organist. The second and third services were led by a band entirely made up of volunteer musicians. One of the volunteer musicians happened to play in all three Sunday morning services. It became evident to the church leadership that perhaps it was unfair that the organist and pianist were being compensated (for a rehearsal and one service), while the volunteer was not being compensated (for two rehearsals and three services). The church leadership decided that having some church musicians compensated and others not was unfair. The pianist and organist stopped being compensated for their musical contributions, but remained active as volunteer musicians.
So what is a church to do? Pay to play or pray for players?
Here are my thoughts and suggested guidelines for how churches should navigate these waters:
There is something to be said for wanting the offering of music in worship to be done with excellence. God is pleased when we offer a skillfully executed sacrifice of praise (“Sing praises with a skillful psalm.” Psalm 47:7). 1 Chronicles 15:22 says, “Chenaniah, chief of the Levites, was in charge of the singing; he gave instruction in singing because he was skillful.” (NASB) It is also part of hospitality and welcoming people into worship – which is less easy when there are mistakes and flubs musically. So it may be responsible to hire musicians to help the church offer excellent music.
On the other hand, God gives us everything we need. Just because your church doesn’t have a drummer or a bass guitarist doesn’t mean you are incapable of corporate worship. Sometimes the musical device used for worship can become crippling to worship. “We can’t have a service without (insert name of instrument).” It is preferable to look at your context, see what God has provided you with, and go with it.
I have also heard it argued that if you pay one or two professional musicians to join your volunteer group, the overall excellence of the team will rise. If there is one person coming to rehearsal every week with charts organized and marked, songs learned, and tempos perfected, the professionalism will raise the standards of the volunteers as well.
Deciding whether to pay worship band musicians is something a church has to decide for itself. My opinion is that it is preferable for a church to use what gifts they have been given and be content with it. But I’m sure there are circumstances when paying a musician or two to augment the band also make sense.
Dr. Rollins has some interesting thoughts on the problems inherent in contemporary worship services. Read the full post here:
What if church is the place we go precisely to escape worship music, instead singing songs that invite us to turn our backs on some ultimate solution and affirm the life we find ourselves in? A place where the art encourages us to find meaning, beauty and goodness in our world rather than in something beyond it?
This is a video I recorded on March 4, 2010 while touring Trinity Cathedral in Addis Ababa, Ethiopia. We were very fortunate to hear the cantor and chorus rehearsing the deggua or “church song” in the cathedral. The video also shows the beautiful stained glass windows and the tomb of Haile Selassie.
The sacred music of the Ethiopian Orthodox Church is very old. The hymnary is attributed to Saint Yared, a scholar who lived in Aksum in the 6th century. This is perhaps the most astonishing thing about our journey toward adoption because Deacon’s “finding place” was in front of Saint Yared Music School in Addis Ababa in 2006. I don’t think it was a coincidence that my profession/livelihood/calling happens to be church music and that is where Deacon was found! That news was an epiphany for me. Just as God had used music in my life to bring me into the faith and into a relationship with Him as an adopted son, God used a music school to make me a father and teach me about faith, love, and hope.
Learn more about Trinity Cathedral HERE. Learn more about Ethiopian Orthodox Liturgy HERE.
Leading church music is different than any other type of music. It is a high calling that requires humility and a servant-attitude. The first goal is always to honor/praise God through the music. The second goal is to help the congregation join in. Church music is not entertainment. Church music is helping people participate in worship. Encouraging people to participate starts by making sure that the music is done in a way that makes it easy to sing along, and subsequently making it easy for people to express their hearts to God through the music.
I’ve got a short set with my friend Floyd Morris at Warehouse Live (Studio Room) on 1/30/11. Come out for a fun night and good music. Get your tickets here: http://tinyurl.com/7j8eks4
Shipping the official, cotton paper, library reserve theses off to @iwsfla (@ FedEx Office Print & Ship Center) http://t.co/jIdrlaxC - posted on 05/21/2012
RT @WillimonTweets: Very little of what it takes 2b a Xtian is innate. Radical turning is required that is initiated by a power external. - posted on 05/21/2012
“I don’t feel like God ever intended for a fear of hell to be the driving factor in His relationship to humanity. I vaguely remember Jesus saying some stuff about love.”
Most of what we know about hell comes from the words of Jesus himself. The topic can be overemphasized, truly, but it seldom is these days. The apostle Paul persuaded men because he knew “the terror of the Lord.” When we shy away from it, we’re unbalanced.
Yeah that sounds like awkwardness abounds. Paying a key leader/pastor and not the rest of the band is different. And I don’t see anything wrong with wanting to strictly use volunteers in the band. But the church has a responsibility to equip and utilize all the talents it’s been given. So even if a musician isn’t up to the level where they can hang with the band, they should be finding them a place leading kids, youth, prison outreach, etc. or equipping them with training if their heart is in the right place.
What do you think about churches that insist on not paying their musicians irrespective of talent, time, etc. and will only take the best musicians who will play for free? Is the church, in that case, denying some of the “gifts that they’ve been given?”
And for context, the particular church and the particular situation to which I am referring has a volunteer policy that’s focused on an “unfettered” worshiper. And by that they mean they want people whose motivations to play on Sunday morning aren’t going to be about money.
But some of the musicians are hurt by that because 1) they spend as much as time and have as much talent as the lead worship leader, and he gets paid 2) They actually REALLY need the money most of the time, and 3) Motivation being questioned is offensive.
How do you experience God in worship?
