Message from Sunday, November 18, 2018 at Faith Lutheran Church in Bellaire, TX.
We’d like to think that everyone has arrived. Everyone has matured to the point of seeing that equality is God’s design. Women can serve the church equally as well as men (perhaps better?). Most consider the ELCA a progressive denomination. But that doesn’t mean that everyone that sits in our pews are in the same place. This video out of North Carolina is a reminder of that:
And it is great to make a cute video, but even better to follow through and walk the talk. Like this:
One of the things I enjoy most about my calling in ministry is being a resource to others. One of the things that drew me to the Lutheran understanding of faith is our connectional polity. Churches aren’t designed to be individual islands in the ELCA. We are connected to each other. We are connected to our neighboring churches in Houston, we are connected to our sisters and brothers across the Gulf Coast Synod, we are connected to all the other ELCA churches around the country, and we are even connected to other Lutherans across the globe. One of the most common signs of our connection is when we share resources. I really enjoy being helpful to others and supporting the work of the church both near and far.
I was asked by the ELCA worship staff to write some Frequently Asked Question articles for their website. These are common questions the churchwide office gets asked, and my responses are meant to be helpful, guiding suggestions on how to address these concerns. Last month, seven of the articles I wrote were published on the ELCA’s website. Here are some excerpts:
- “In general, the postmodern worship practices of emerging churches are reactions against the pragmatic, baby boomer-oriented, seeker-sensitive movement. Instead of “services” of worship, emerging churches frame their assemblies as “gatherings” that are not afraid of a return to more liturgical forms. The gathering is highly experiential, focusing on the participation of those assembled, often through stations that guide people to interact with prayer, scripture, art, poetry, and other spiritual exercises.”
- “Music for worship provided by a worship band must be done with the same sensitivity and care as any other type of sacred music. The worship band must frame their role in worship leadership as subservient to the assembly’s voice.”
- “As a core function, video projection should be used for enhancing the environment for worship. In serving the liturgy, it should not be distracting but aide the space for worship as the body of Christ gathers.”
- “The pace of technology can be difficult to grasp. Technology that at one time cost churches thousands of dollars to utilize now would cost hundreds of dollars. The cost of technology continues to diminish. At the same time the performance of technology continues to increase.”
- “There are many options when it comes to the video projector component. Generally the most important specification will be the light output of the projector, measured in lumens. The higher the lumens, the brighter the projector will be. It is necessary to take into account the brightness of the room in which the projector will be used.”
- “Worship is always being evaluated. Although it may be informal, everyone that is sent forth from an assembled worshiping body has evaluated that service in one way or another. Evaluations might be based on any number of things: the number of people in attendance, the length of the sermon, the pronunciation of the reader, or the number of flubbed notes by the musician.”
- “The sounds of a worshiping assembly should be reflective of the culture that it is planted in. The musical gifts that are present within a local church should be used to make worship contextual.”
If you were to visit a church in North America today, chances are you would be faced with a choice: contemporary or traditional. Occasionally there might be a third option of “blended.” There might also be additional styles of worship offered (emerging, recovery, Taizé, liturgical, etc.). Faced with these choices, those assembled are practically begged to answer the questions, “What is my preference?” “What do I like?” and “What works for me?”
These choices for worship have come to be expected in many churches. Is there anything wrong with them? Perhaps they are a cultural phenomenon in a society bent on individualization (a symptom of the Burger King ethos where you can “have it your way”). Perhaps they are the church’s most missional effort to reach as many people possible with the gospel of Jesus. However, a church that encourages self-preferential behavior seems to run against the path of discipleship that teaches, “Do nothing from selfish ambition or conceit, but in humility regard others as better than yourselves” (Philippians 2:3). What style would worship take if those assembled regarded others as better than themselves?
Reframing the style question
When a new church is birthed or when an existing church launches a new opportunity to assemble for worship, do they ask, “Are we going to be traditional, contemporary, or blended?” Do they look at what the largest church in town does and duplicate it? Is there another way to discern what style of worship a church should employ? Maybe a church has decided that offering multiple styles of worship has become divisive and done more harm than good. Perhaps their question is, “How do we move past traditional and contemporary?”
“Traditional,” “contemporary,” and “emerging” are merely labels. There are instances when our labels are not necessarily helpful or accurate. (see also, “How is worship traditional? How is worship contemporary?”) Regardless of their benefit or precision, these styles for worship have developed and the labels have become affixed to the church’s conscience. In order to move past these labels, a better question may be needed: “How do we figure out what our local worship should sound like?”
“Jesus whom we worship was born into a specific culture of the world. In the mystery of his incarnation are the model and the mandate for the contextualization of Christian worship. God can be and is encountered in the local cultures of our world. A given culture’s values and patterns, insofar as they are consonant with the values of the Gospel, can be used to express the meaning and purpose of Christian worship. Contextualization is a necessary task for the Church’s mission in the world, so that the Gospel can be ever more deeply rooted in diverse local cultures.” (Nairobi Statement on Worship and Culture, 3.1)
The Nairobi Statement reasons that worship, as it dynamically relates to the given culture in which it is enacted, is contextual. Worship cannot be disconnected from the time and place in which it is enacted. Many of the factors pertaining to how worship is offered are determined by its particular context. “We call on all churches to give serious attention to exploring the local or contextual elements of liturgy, language, posture and gesture, hymnody and other music and musical instruments, and art and architecture for Christian worship.” (Nairobi Statement on Worship and Culture, 6.1) Faithful worship does not ignore the people or culture in which it is located.
Suggestions for making worship contextual
To return to our reframing question: “What should our local expression of worship sound like?” Contextual worship makes use of the music, language, and artistic forms of the local culture the church is planted in. This means that Lutheran worship in downtown New Orleans will potentially be radically different than Lutheran worship in rural Montana. Regardless of how radically different they appear in form and content, they both remain faithful enactments of Lutheran worship. The willingness to connect to the surrounding culture and become contextual make their worship faithfully Lutheran, not their predilection for Baroque-era European music. Contextual worship requires rooting into the neighborhood. There are no shortcuts to contextual worship; real, relational, outwardly focused ministry is the only way to discern context. Contextual worship does not imply a disregard for global music or the historical practices of the church.
The sounds of a worshiping assembly should be reflective of the culture that it is planted in. The musical gifts present that are present within a local church should be used to make worship contextual. The Holy Spirit, equipping her for ministry, gives these gifts to the local church. Many churches have a preconceived idea that worship should sound a certain way, requiring particular instruments for worship to sound that way. Instead of hiring a drummer or hiring an organist because of the perception of what worship should sound like, worship should sound like what you are.
The sounds of contextual worship, produced by the people that God has gifted to a church, should be current and modern, as well as reach back into the history of our faith.
P.S. For further analysis of how to enact faithful, Lutheran worship that is also transcultural, counter-cultural, and cross-cultural, see Can We Talk? Engaging Worship and Culture.
I am returning home from a week spent at Wartburg Theological Seminary in Dubuque, Iowa. I am beginning the work of my Master of Divinity degree and the road to Word and Sacrament pastoral ministry in the ELCA. The week was beautiful, thoughtful, and helped me feel hopeful about the journey ahead.
One of the courses gave us a question to chew on: “If someone were to ask you to tell them about Jesus, what would you say?” The tricky part – you can only use 50 words to answer the question. Here was my response:
“I would say that Jesus was a man that lived in the ancient Near East approximately 2000 years ago and I believe that he lived, died, rose again, ascended to God, and is reconciling all things to God through the incarnational work of his body, the church, in the Spirit.”
As a resident of the Houston area, Hurricane Harvey has made an impression on me. We take storms of this caliber very seriously. So seriously that schools close for multiple days and churches cancel Sunday worship services. We are better safe than sorry. Flooding and dangerous roadways are the biggest concern.
With so many churches canceling worship services on Sunday, there have been several devotions made available for home use. Here is a list of litanies, prayers, and devotions I found for use in times of inclement weather. Feel free to share others that you may know.
- A Liturgy for Times When Storms Arise (from Celebration in Cypress, TX)
- A Liturgy in a Time of Storm (from Kindred in Houston, TX)
- Litany in Response to a Hurricane
- Prayer Book for the Hurricane and Tornado Seasons (from Thomas Weitzel)
- Storm Sunday Liturgy (from Australia)
- In the Eye of the Hurricane (by Kwasi Kena)
- A Hurricane Liturgy (from Lent and Beyond)
- Resources Created from Hurricane Katrina (from The Text This Week)
- A simple liturgy posted by Bishop Mike Rinehart to Facebook:
Light a candle.
Pray: O God, with all your faithful followers of every age, we praise you, the rock of our life. Be our strong foundation and form us into the body of your Son, that we may gladly minister to all the world, through Jesus Christ, our Savior and Lord.
Look up these texts, read and discuss:
The coastlands look for deliverance…
If God had not been on our side, the raging waters would have overwhelmed us…
Do not be conformed to this world, but be transformed by the renewing of your minds…
You are Peter, and on this rock I will build my church, and the gates of Hades will not prevail against it…
Pray for the church, the world, your family, your congregation, the needy, the dearly departed.
Pray The Lord’s Prayer
Bless one another and share the Peace.
Thank you to everyone who attended the TUNE UP gathering on Saturday, August 5, 2017. Thank you to the volunteers and Messiah Lutheran Church for hosting us. Thank you to Larry Bose for capturing our day together with photos. This was our fifth year of TUNE UP and we are so blessed that you came and learned with us.
We had over 70 participants from 19 different churches all around the Houston area join us for this day of training and networking. The gathering began with opening worship and presentations from Brian Hehn, Clayton Faulkner, and Richard Birk. They covered the subject of diversity in church music with each presenting on genre, selecting songs pastorally, and why we should incorporate hymns into band-led worship. Then everyone divided into instrumental/vocal/tech tracks, and conceptual tracks. The instrumental tracks were divided by specific area (worship leader, acoustic/electric guitar, bass guitar, keyboard, drums, vocals, and sound tech). Conceptual track offerings included sessions on improving your worship band, running an effective rehearsal, increasing congregational singing, and using video technology. During the “Coaching for Bands” session a volunteer church band from Autumn Creek Baptist Church in Houston received feedback and help with their music from a panel of track leaders.
We want you to know about these helpful resources from some of our track leaders:
- Richard Birk has an ensemble called “Jazz Sunday” that provides music for churches on Sunday mornings.
- Michael Brady has a podcast called “The Worship Lab Podcast” that has great info for worship leaders and church musicians.
- Brian Hehn is launching “The Center for Congregational Song” with an event this October in Dallas.
Thanks for a great event and stay tuned for future event announcements…