I’m happy to share “Digital Worship,” a podcast that I worked on for Wartburg Theological Seminary. These are important conversations about how we approach worship in these digital-bound days.
One of the things I enjoy most about my calling in ministry is being a resource to others. One of the things that drew me to the Lutheran understanding of faith is our connectional polity. Churches aren’t designed to be individual islands in the ELCA. We are connected to each other. We are connected to our neighboring churches in Houston, we are connected to our sisters and brothers across the Gulf Coast Synod, we are connected to all the other ELCA churches around the country, and we are even connected to other Lutherans across the globe. One of the most common signs of our connection is when we share resources. I really enjoy being helpful to others and supporting the work of the church both near and far.
I was asked by the ELCA worship staff to write some Frequently Asked Question articles for their website. These are common questions the churchwide office gets asked, and my responses are meant to be helpful, guiding suggestions on how to address these concerns. Last month, seven of the articles I wrote were published on the ELCA’s website. Here are some excerpts:
- “In general, the postmodern worship practices of emerging churches are reactions against the pragmatic, baby boomer-oriented, seeker-sensitive movement. Instead of “services” of worship, emerging churches frame their assemblies as “gatherings” that are not afraid of a return to more liturgical forms. The gathering is highly experiential, focusing on the participation of those assembled, often through stations that guide people to interact with prayer, scripture, art, poetry, and other spiritual exercises.”
- “Music for worship provided by a worship band must be done with the same sensitivity and care as any other type of sacred music. The worship band must frame their role in worship leadership as subservient to the assembly’s voice.”
- “As a core function, video projection should be used for enhancing the environment for worship. In serving the liturgy, it should not be distracting but aide the space for worship as the body of Christ gathers.”
- “The pace of technology can be difficult to grasp. Technology that at one time cost churches thousands of dollars to utilize now would cost hundreds of dollars. The cost of technology continues to diminish. At the same time the performance of technology continues to increase.”
- “There are many options when it comes to the video projector component. Generally the most important specification will be the light output of the projector, measured in lumens. The higher the lumens, the brighter the projector will be. It is necessary to take into account the brightness of the room in which the projector will be used.”
- “Worship is always being evaluated. Although it may be informal, everyone that is sent forth from an assembled worshiping body has evaluated that service in one way or another. Evaluations might be based on any number of things: the number of people in attendance, the length of the sermon, the pronunciation of the reader, or the number of flubbed notes by the musician.”
- “The sounds of a worshiping assembly should be reflective of the culture that it is planted in. The musical gifts that are present within a local church should be used to make worship contextual.”
Somebody’s Prayin’ by John Elliott, arr. Mark Hayes.
Clayton Faulkner, vocals
Joanna Thornton, piano
Will Van Horn, pedal steel guitar