A Warning Against Careless Worship

I was reminded of the story of Cain and Abel today.

3In the course of time Cain brought to the LORD an offering of the fruit of the ground, 4and Abel for his part brought of the firstlings of his flock, their fat portions. And the LORD had regard for Abel and his offering, 5but for Cain and his offering he had no regard. So Cain was very angry, and his countenance fell. (Genesis 4:3-5)

the-offerings-of-cain-and-abel-1429.jpg!BlogAbel offered his sacrifice of meat. Cain offered his sacrifice of grain. God found one of them pleasing and the other not. Why?

The text suggests that Abel’s offering was accepted because of the sacrifice that accompanied it. The firstlings were the oldest, most developed, most favored of the flock. They were most costly. Cain’s offering appears to have been nothing special, just a portion of the crops he cultivated.

The text doesn’t suggest that the style of offering was what God found offense with. This story is a precursor to the sacrificial practices of Israel’s worship (perhaps a model for both grain and animal offerings). God was not pleased with the heart behind the offering that Cain brought. Abel offered his offering out of a place of grateful thanksgiving for what God had done. Cain offered his offering out of a place of manipulation of power.

Cain believed in power and wanted to manipulate God to be on his side and offer him favor. Cain’s true motives come to the surface after he murders his brother. We see the kind of power Cain is driven by.

The warning is to not offer careless worship (careless=not giving sufficient attention or thought to avoiding harm). How does this story relate to modern worship in the church today? What reason do you come to worship? What is the motive behind your offering? Cain wanted something out of his worship. The error of his offering was that he wanted God to do something for him. How does our worship seek to get something out of God? How does our worship manipulate God? How does our worship fail to give something (everything?) back?

How does our worship become the pure offering that Abel offered? By being full of care in what we offer to God. The church should take care, too, in setting the table for worship that unleashes the good and humble offering of all gathered. Perhaps asking what I want out of worship is more akin to Cain than Abel.

(artwork is Jan van Eyck, The Offering of Cain and Abel, 1429)

Fresh Waiting – Resources for Advent

Advent is that season of expectation and preparation that leads us into the incarnational reality of God tabernacle-ing among us. Or as Eugene Peterson put it, God “moved into the neighborhood” (John 1:14, The Message).

Advent is also the kick-off of the new liturgical year. Even though not every church follows the Christian calendar religiously, there is something about Advent in which even contemporary churches can find hope. The intentional pause and reflection is highly sought after in our breakneck society. Advent plays well in churches trying to craft fresh expressions of the faith. But how do you make waiting fresh?

Here are some of my favorite creative resources for the season of Advent. Explore the links to learn more:

  • Songs
    • Sing to the King, words and music by Billy Foote and based on an older hymn by Charles Silvester Horne. This song captures the eschatological themes of Advent well. I actually include an additional original stanza that is left out of Foote’s version: “Souls will be saved from the burden of sin, doubt will not darken his witness within. Hell has no terrors, and death has no sting; love is victorious when Jesus is King.”
    • Immanuel, or as I like to call it, “From the Squalor of a Borrowed Stable” (taken from the first stanza). Words and music by Stuart Townend, who has had some controversy lately stemming from the new Presbyterian Church (U.S.A.) hymnal. The four stanzas of this song give you a great narrative sweep of Christ’s birth, life, death, and return. I exclusively bring this song out every Advent. However, I do feel that the theology in this song needs a little tweaking to fit in our context. In the final stanza I change “hope of heaven or the fear of hell,” to “heav’n joins earth where God will dwell.”
  • Videos
  • Message Series/Small Group Resourcesadvent conspiracy
    • Advent Conspiracy is a campaign designed to help us all slow  own and experience aChristmas worth remembering. There are lots of resources: messages, videos, a book, and small group curriculum.
    • Dietrich Bonhoeffer’s “God is in the Manger” is a devotional book with daily readings for the season of Advent. Last year we developed it into a four week message series with accompanying small group discussion questions.
  • Environment
    • Advent Wreath You can be pretty creative with how you advent wreathrepresent the Advent wreath. Consider how lighting can be used to create the effect of candles. This wreath was constructed out of corrugated plastic (the same stuff they make yard signs out of).
    • Advent banners can be cool. Don’t sell them short. They can add color and depth of meaning through the use of symbol and metaphor. Just search for “Advent banners” advent banneron Pinterest and put your creative people to work.

Why I Chose the Institute for Worship Studies (Doctor of Worship Studies Program)

Dr. Clayton GraduationWe recently got back from a trip to Florida. We traveled to my graduation/commencement ceremony at the Robert E. Webber Institute for Worship Studies in Orange Park, FL (www.IWS.edu). We also managed to do 5 days at Disney World for family vacation, but that’s another story.

I started the Doctor of Worship Studies program in 2007, after a year off from completing my MA in Worship. Interestingly, I began my studies the first session after the passing of Bob Webber, the founder of the school and worship guru. It was a heavy atmosphere, but profoundly formative for me regardless. I got turned on to Webber’s writings in the late 90s in Worship Leader magazine. His monthly column always drew my attention as I began to wade into the waters of leading worship. There was a depth to his writing on worship that attracted me and made me want more. Before finishing seminary, I knew I wanted to continue my studies at IWS.

Here are the big factors that impressed me about IWS and made it one of the best experiences of my life:

  • The focus on worship (not just music). It is unusual and unique for a school to focus that greatly on one area of study.
  • The professors. I received instruction from Andy Hill, Lester Ruth, Connie Cherry, Jeff Barker, and Reggie Kidd. They’ve said stuff that has stuck with me to this day and shaped how I do ministry. Not only were the profs great individually, but the courses were all team taught by 2 faculty – usually from diverse denominational heritages. It was so helpful to see unity and respect modeled in everything.
  • The communal feel. Sharing meals, singing in chapel, and working on practicum projects in a group. You get connected to people in a very intimate way – far beyond just lecture in class.
  • The diversity. The cohort I did my learning with was a great mixed-bag: Wesleyan, United Methodist, Mennonite, Anglican, Southern Baptist, Presbyterian, Lutheran, Charismatic, Foursquare, Evangelical Free, etc. The variety of experiences and backgrounds creates a layer of richness that you can’t really get any other way.
  • The curriculum. Every course in the doctoral program was fascinating to me: history of worship, renewal of the arts in worship, the liturgical calendar, and sacred actions (sacraments). Every course was very self-directed, especially in the final projects. You could take a direction that works for you and run with it. The practicum experiences were also invaluable. Planning worship services with a diverse group in a short time frame was challenging and inspiring.

IWS Graduates 2012

Worship Through the Bible

I started a new learning group at church this last Sunday. I called it “Worship Through the Bible.” It is a combination of biblical survey and worship study. I want to dig into the bible and discuss how it informs and shapes our worship, both personally and corporately as the church.

I opened the first class by writing “WORSHIP” on the board and inviting everyone to say what comes to mind when they hear the word. Here was the result of that discussion:

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It was great dialogue and you can see some of the direction it went. I took several diversions into instructing on ideas raised (such as the fourfold model and liturgical space). I might try to record next weeks class and post it as a podcast for anyone interested.