What’s on my iPod?

I am a musician. I have played music in one form or another for many years now. I have played or sung in orchestras, symphonic bands, youth choirs, brass ensembles, worship teams, jazz ensembles, and rock bands since I was in middle school. I like music so much, and I felt God’s calling to worship so strongly, that I have made serving the church through worship and music my career.

Sometimes I have to deal with music so much at the church that I don’t want to listen to music when I’m in the car or at home. I am currently not in one of those times. I’m in a place now where I’m listening to music as much as I can: in the car, in the shower, and at the office. I’m sort of falling in love with music again.

I believe that everyone has a musical heart-language. For most, the music from childhood or adolescence becomes “your” music. This music becomes forever engrained as the soundtrack of your life. Some people struggle to open their ears outside this musical box and don’t get why “kids these days” listen to what they do. Not me. I have pretty eclectic taste in music, but my heart-language will forever be 90s era grunge rock (Pearl Jam, Stone Temple Pilots, etc.)

Since I’m on a music kick these days, I thought I’d share some of the albums that I’m listening to the most these days.

Aja – Steely Dan

steely-dan-ajaMy friends were hip to Steely Dan before I was. It didn’t take much to convince me of their greatness. They have some of the smoothest music and greatest guitar playing ever recorded. Their music is hard to classify, although I call it progressive rock. It has hints of jazz, funk, and rock. This album from 1977 still sounds relevant today. Also, I was recently at the Cajun Creamery in New Orleans when I saw guitarist Walter Becker ordering ice cream. I was so star struck I ordered two of the same flavor in my four scoop sampler.

Southeastern – Jason Isbell

1035x1035-120413-jason-isbel-1800-1386174327Holy moly this guy can write songs. This is the fourth studio album by American singer-songwriter Jason Isbell released in 2013. He gets classified in the alternative country genre. His voice has a southern drawl that I find to be so familiar. He sounds like people I grew up with. His lyrics are gritty, not shying away from cancer and child abuse as topics. You can tell when someone is singing something they know from personal experience. If you like twang without the pretentiousness, you’ll like this.

A Moon Shaped Pool – Radiohead

xlda790-radioheadRadiohead is one of my favorite bands – perhaps the greatest British band of all time (up there with The Beatles and Led Zeppelin for sure). It doesn’t matter if you can’t understand what singer Thom Yorke is saying. This is their latest album that released this year. While writing this article I discovered my amazing wife Kate ordered me this album on vinyl as a surprise! To promote this album Radiohead deleted all content from their website and social media accounts. Go figure. This album features strings and choral vocals arranged by band member Jonny Greenwood and performed by the London Contemporary Orchestra. Greenwood composed the soundtracks for the Paul Thomas Anderson films “There Will Be Blood” and “Inherent Vice.”

HELP! I NEED SOMEBODY! HELP! NOT JUST ANYBODY! (ideas on recruiting musicians)

20120218-215049.jpgI recently received an email from a church musician who was looking for help. The guitarist in their band recently moved and they don’t have anyone else that can play. Here are a few thoughts I shared with her about how to look for a new guitarist:

  • To start, remember that it is totally possible to do worship without guitars! Don’t let not having 1 instrument be a hang-up. God gives us what we need to worship in our context. So if you’re short a guitar, do your best to make do without. Same with drums, keys, bass guitar, or any instrument. The most important instrument in worship is the assembly’s voice.
  • Even though you don’t think there is a church member that could step up to play guitar, I would want to make sure that is true. Make an announcement that you need a guitarist. You never know! One could be lurking or even visiting for the first time on Sunday. I always say that the best recruitment tool for finding volunteers is the shoulder tap method. Chances are someone in the church may know a great guitarist and could do some recruiting for you.
  • Check with other churches. Call the bigger churches in your area. Chances are they have enough volunteers to support several rotations worth of musicians. Maybe you could borrow one of their guitarists on their off weeks.
  • Grow your own guitarist. Especially consider teenagers that might have an interest. Sponsor them for a couple of guitar lessons with a professional. Let them start sitting in with the band for rehearsal only until they are proficient enough to play and contribute.
  • Advertise it on Craigslist.com. You’ll find lots of bands that post on Craigslist looking for other musicians. If you say you’re a church and describe what you’re looking for you might find someone. Schedule an audition or probationary practice to make sure they are a good fit before committing.

TUNE UP worship band gathering recap

Coaching for Bands 1aOn Saturday, August 10, 2013, the first TUNE UP worship band gathering was held. Over 125 contemporary worship musicians and sound techs assembled on the campus of Faith Lutheran Church in Bellaire, TX (Houston) for a day of learning, growing, and networking. The event was organized by the Worship Excellence Team of the TX-LA Gulf Coast Synod (ELCA) to provide training in the fundamentals of music and worship.

The group that gathered represented 28 congregations including Lutheran, Nazarene, Episcopal, and Non-Denominational churches. Churches from as far away as Austin, TX and Chalmette, LA brought musicians to attend the event.

The schedule included times of worship, instrumental/vocal tracks, and conceptual tracks. A team of track leaders with main speaker Bishop Mike Rinehart led worship. The instrumental tracks were divided by specific instrument (acoustic guitar, electric guitar, bass guitar, keyboard, drums, vocals, sound tech). Each group gathered together for training and instruction specific to that instrument. Conceptual track offerings included sessions on arranging songs for worship, choosing songs for worship, and principles for worship. Additionally, a “Coaching for Bands” track was offered in which two church bands received feedback and help with their music from a panel of track leaders.

1167394_1402084233343388_1413482869_oOne attendee commented, “It’s nice to attend an event where you get something you can actually use.” Another said, “Thanks for doing this. It helped to refocus me on being a lead worshipper instead of a lead guitarist.”

An overwhelming amount of positive responses suggest that we will likely offer the event again in the future. Watch the event website for details: TuneUpGathering.org.

"Let Us Break Bread Together" sung by Desi Lancaster

Here is a track I recently recorded with my friend, and one of my favorite singers, Desi Lancaster (@Dexxie35). It is my arrangement of the spiritual, “Let Us Break Bread Together.”

Let Us Break Bread mix

Recorded in my office at Faith Lutheran Church, Bellaire, TX (using my PreSonus Audiobox USB and GarageBand).

  • Lead Vocals – Desi Lancaster
  • Organ, Acoustic Guitar, Electric Guitar, Percussion, Background Vocals – Clayton Faulkner
  • Mixed by Stephen Bolech at Studio K in Waco, TX (@sbolech)

The Golden Rule for Worship Bands

The bands I work with probably get tired of hearing me say it – but I’m not sure it can be said enough: “Less is more.” Having the musicians/singers be picky about when they play/sing does a lot for the dynamics of a song. But it also does something on a spiritual level. It allows other members’ gifts to shine through. It allows everyone the opportunity to practice the “prefer others more than yourself” attitude (an essential attitude for any collection of worshipers).

From Greg Atkinson:

If you’re  a worship pastor that leads a band and you let your musicians play 100% all the time, you’re dropping the ball (you know I like to shoot straight). I mentioned that when I visit churches I often look for a laptop on stage. But one of the first things I look for is who is not playing. The difference between an amateur musician and a professional is knowing when not to play. It’s the whole “less is more” thing that I always preach.

Maybe this is something that your church band struggles with. Maybe you have a pianist that used to be “the band” and is used to playing the full 100% of the music. Now that a guitar, bass and drums are added in, she doesn’t know that her role must decrease and she must adjust the amount of action or busyness that she plays with in order to allow the other instruments to equal to 100%. This is what I call the 100% rule. You only have 100% to divide up – any one player can’t play like the 100% is up to him/her.

Let’s get practical: Often to make a point, I will go to the extreme. I used to do this with my camera operators and video directors all the time. When working with church bands, I will often ask players to “sit out” or restrain from playing for a LONG period of time – in order to get the point across.